Redeeming Film Music

THERE IS A KIND OF LISTENER who first becomes acquainted with the symphony orchestra through film music.

And many such listeners want to hear the music again – willingly attending concerts devoted to scores whose original function was to compensate for absent dialogue, and which were heard in fragmented versions that faded in and out of the drama.

You can read the full article by Roger for The Future Sympony Institute using the the following link.

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